He peppers his claims with such expressions as: "one suspects," "I feel," "my impression," "it is clear," "cannot be without significance," "dare we ask," "without doubt," "it is my guess," "it is quite evident," "I am left with the conviction" and a litany of would have, could have, must have beens. But no documented proof.
Ovason’s premise, if not belief, is that Pierre Charles L'Enfant (b. 1754/08/02, d. 1825/06/14) and Major Ellicott (b. 1754/01/24, d. 1820) intended Pennsylvania Avenue to provide a view of the setting sun from the Capitol building annually on August 10th. The reason for this was because on that day the sun is in 17 degrees of Leo and the star Regalus sets over the White House just over half an hour after sunset, leaving the stars "Spica, in Virgo, and Arcturus in Bootes." "They are the three stars which Masons such as Pike and Brunet recognized as enclosing the constellation of Virgo." [p. 346] This, he asserts, proves "the city was intended to celebrate the mystery of Virgo — of the Egyptian Isis, the Grecian Ceres and the Christian Virgin." [p. 349]
According to the work of anthropologist Jeremy Narby, this Ur-language of light is a "forest television" of images in which "DNA is a snaked shaped master of transformation that lives in water and is both extremely long and small, single and double. Just like the cosmic serpent."[5] His assessment agrees with Ovason's comments that only one who has the skin of the dragon, or has become one with the cosmic serpent of DNA, can understand this symbolic language of light.
symbols, derived perhaps from the DNA itself, that unite the global cultures of mankind, from the Inca to the ancient Greeks Imagine that what we call "biology" is the way the mechanical world invented how to build a toroidal charge vector thruster device using molecules.
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